![]() People like Jordan have helped me in many different ways, trusting me as an actor, just giving me an opportunity. It’s not like it is now, like with Issa Rae, Kevin Hart, or Jordan Peele, or Donald Glover. ![]() Growing up, I definitely didn’t see the people that I see now. Why was it important for your next stage to be about mentorship? Pinegrove Went on Hiatus … Then Went Viral on TikTok It’s more so focusing “How can I be skilled in the moves that I’m making? How do I know what relationships to build and what roles to play that are going to benefit me and help me get to the next level?” A big part of this is talking about those kinds of things. It’s ’cause they paying a publicist $5,000 a month. The reason is on the cover of magazines isn’t because they’re better than you. People feel like they can’t get forward lack of information. Yes, I love to entertain, but also, how can I use that for something bigger? KeyTV was an opportunity for me to create a true network of young people feeling that the industry is accessible to them. I’m like, “Oh, shit, there’s another one.” I’ll see it in my mentions, and I’ll laugh, or friends will send it to me. ![]() I feel like the memes are recognizing that they see themselves in me, which I think is important. It’s appreciated when people do the meme thing. People can’t get enough of you online, turning almost anything you say into a meme. “It’s explaining the craft of filmmaking and working in the industry, and built around knowledge as opposed to getting to this grand finish line.” “KeyTV is focusing on people that might have the talent but not experience or the skill in the business aspect of it,” Palmer says. In its first six months, the network has premiered nine programs, from talk shows to comedy series to short films, picking up millions of views so far. Launched last November, it pairs up-and-coming creators with industry experts to produce their own projects on social media. Her new content hub, KeyTV - part production company, part mentorship program, part project incubator - aims to give underrepresented voices a leg up in Hollywood. But as she became more invested in the creator economy, Palmer realized BIPOC creators were shut out of the information pipeline about how to develop projects and get connected with brands. Just last year, she brought her live-wire, meme-worthy personality to TikTok, where she’s amassed 7.5 million followers, and, during her pregnancy, started livestreaming games on Twitch. Since at least 2007, she’s been active on YouTube, Instagram, and even TikTok’s predecessors Musical.ly and Vine, posting skits and videos with thousands of views. Since then, she’s had her own Nickelodeon series, True Jackson VP, become Broadway’s first Black Cinderella, and won acclaim for her sharp comedic timing and emotional depth in films like Hustlers.Īll the while, Palmer has been doing double duty as a creator. She made her big-screen debut in 2004’s Barbershop 2 and scored a starring role in the 2006 family film Akeelah and the Bee. While best known for her role as fast-talking horse handler Emerald Hayworth in last year’s Jordan Peele horror movie, Nope, Palmer, 29, has been kicking around Hollywood for 20 years. That’s generous, but let’s be honest: Keke Palmer has already made it. I’m tryna to make it, just like your ass is.” “Baby is good, but it’s definitely a lot of pressure to be responsible for someone’s life. “I’m doing the mom thing,” she says in her signature lilt. The wind whips through her hair as she pushes her baby down the street, Zooming from her phone. It’s a breezy Monday afternoon in New York, and Keke Palmer - actor, director, singer, dancer, professional multitasker - is doing an interview while working on her latest gig: being a new mom.
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